There is a special screening of Dahomey on Sunday 15 December, as after the film, which starts at 19.00, Gidelle Mounzeo will speak online with researcher Josea Guedj, who plays a prominent role in the film. And of course, visitors can also put their questions to her.
Mounzeo is founder of The Aunties, a new, non-profit organisation that aims to empower women from an African descent in particular through education, mentorship and community building.
Dahomey
The museums of former colonial rulers are full of art treasures once looted from their colonies. To the people of those former colonies, these objects are much more than fine art objects; they are objects of great historical, cultural and/or religious importance. This realisation is beginning to dawn on the former colonisers, and slowly but surely they have begun to return these ‘looted art’. What this involves is shown by French director Mati Diop in this important documentary. It earned her the Golden Bear at the last Berlinale.
In 1892, French troops looted the kingdom of Dahomey, now Benin, and took hundreds of art objects back to France. In 2021, the French government agreed to return 26 of those objects - a complicated and sometimes controversial process. Diop gives voice to one of the returning images, she shows who is taking care of that art in Benin, and she shows the debate going on in academic circles about it. Central question: why did it take so long?
